Series Editors: Declan Marmion, Gesa Thiessen and Norbert Hintersteiner
Religious and theological reflection has often been confined to the realm of the private, the personal or the Church. In Europe this restriction of religion and theology can be traced back to the Enlightenment and has had long-lasting and pernicious consequences for the understanding of religious faith and society. On the one hand, there has been a rise in religious fundamentalisms around the globe, while, on the other hand, so-called advanced societies are constructed mainly along economic, pragmatic and rationalistic lines. Added to this is the reality that religious faith is increasingly lived out in pluralistic and multi-faith contexts with all the challenges and opportunities this offers to denominational religion.
This series explores what it means to be ‘religious’ in such contexts. It invites scholarly contributions to themes including patterns of secularisation, postmodern challenges to religion, and the relation of faith and culture. From a theological perspective it seeks constructive re-interpretations of traditional Christian topics – including God, creation, salvation, Christology, ecclesiology, etc. in a way that makes them more credible for today. It also welcomes studies on religion and science, and on theology and the arts.
The series publishes monographs, comparative studies, interdisciplinary projects, conference proceedings and edited books. It attracts well-researched, especially interdisciplinary, studies which open new approaches to religion or focus on interesting case studies.
Series Editor: James Francis
Religions and Discourse explores religious language in the major world faiths from various viewpoints, including semiotics, pragmatics and cognitive linguistics, and reflects on how it is situated within wider intellectual and cultural contexts. In particular a key issue is the role of figurative speech. Many fascinating metaphors originate in religion e.g. revelation as a ‘garment’, apostasy as ‘adultery’, loving kindness as the ‘circumcision of the heart’. Every religion rests its specific orientations upon symbols such as these, to name but a few. The series strives after the interdisciplinary approach that brings together such diverse disciplines as religious studies, theology, sociology, philosophy, linguistics and literature, guided by an international editorial board of scholars representative of the aforementioned disciplines. Though scholarly in its scope, the series also seeks to facilitate discussions pertaining to central religious issues in contemporary contexts. The series will publish monographs and collected essays of a high scholarly standard.
Series Editors: Stephen Parker, Leslie J. Francis, Rob Freathy and Mandy Robbins
Debates about religion, education and values are more central to contemporary society than ever before. The challenges posed by the interaction between these different spheres will continue to increase as the effects of globalization and cultural pluralization impact on educational settings. Our radically changed and rapidly changing environment poses critical questions about how we should educate individuals to live in increasingly diverse societies.
Books in this series offer the most recent research, from a variety of disciplinary perspectives, on the interface between religion, education and values around the world. The series covers such themes as the history of religious education, the philosophies and psychologies of religious and values education, and the application of social science research methods to the study of young people’s values and world-views.
Books within the series are subject to peer review and include single and co-authored monographs and edited collections.
Series Editors: Graham Speake and René Gothóni
This series is concerned with Eastern Orthodox Christianity in its various manifestations. Originating as the church of the East Roman or Byzantine empire, Eastern Orthodoxy comprises the group of churches that owe allegiance to the Ecumenical Patriarchate in Constantinople. The Orthodox Church has exercised unparalleled influence over the history, thought, and culture of the region and remains one of the most dynamic and creative forces in Christendom today. The series will publish studies in English, both monographs and edited collections, in all areas of social, cultural, and political activity in which the Orthodox Church can be seen to have played a major role.
Series Editor: David Manning
This new book series will show that a critical understanding of religious pluralism in the past is of vital significance to debates about identity, diversity, and co-existence in the present. Studies will focus on using a historical perspective to address one of three key themes in the period between 1500 and 2000 CE: intra-religious pluralism; inter-religious pluralism; or, religion, secularism, and the nation state. Within this frame of reference, constructive contrasts between a wide range of foci, approaches, and viewpoints will be keenly encouraged. The series will champion established lines of research in political, social, cultural, and gendered histories of religious pluralism – e.g. studies on liberty, persecution, and toleration – whilst also encouraging novel ways of transcending a scholarly discourse which is dominated by ideologies and methodologies derived from the social sciences – e.g. by studies on the theological and literary dimensions of conflict, cohesion, and community. The series will embrace scholarship on subjects from any part of the world. European and extra-European perspectives that complement traditional Anglo-American thinking are particularly welcome.
As the ‘global turn’ continues to energize new types of enquiry, the series will also seek to advance studies of indigenous and displaced religious groups. With this scope there is a reflexive acknowledgement that the rationale for and defining concepts of the series are grounded in a ‘western’ intellectual tradition; however, this should serve as a challenge to prospective authors to pioneer new dialogues between ‘western’ and ‘non-western’ approaches and foci, or even surpass the dichotomy altogether. An emphasis will be given to promoting the best research of early career scholars from around the world, whilst also giving more established academics the opportunity to develop their multimedia policy-orientated work – e.g. podcasts, blogs, talks, press briefings, reports for thinktanks, governments, and public agencies etc. – into a book that would engage peers and students alike.
In association with Cambridge Institute on Religion and International Studies.
Series Editors: Andrew Louth and David Ricks
This series encompasses the religion, culture, history, and literary production of the Greek-speaking world and its neighbours from the fourth century AD to the present. It aims to provide a forum for original scholarly work in any of these fields, covering cultures as diverse as Late Antiquity, the Byzantine empire, the Venetian empire, the Christian communities under Ottoman rule, and the modern nation states of Greece and Cyprus. Submissions in English are welcomed in the form of monographs, annotated editions, or collections of papers.
Series Editor: June Boyce-Tillman
Music and Spirituality explores the relationships between spirituality and music in a variety of traditions and contexts including those in which human beings have performed music with spiritual intention or effect. It addresses the plurality of modern society in the areas of musical style and philosophical and religious beliefs, and gives respect to different positions regarding the place of music both in worship and in the wider society. The series will include historical, anthropological, musicological, ethnomusicological, theological and philosophical dimensions and encourages multi-disciplinary and cross-disciplinary contributions.
It looks for well-researched studies with new and open approaches to spirituality and music and encourages interesting innovative case-studies. Books within the series are subject to peer review and will include single and co-authored monographs as well as edited collections including conference proceedings. The use of musical material in either written or recorded form as part of submissions is welcome.
For information about submitting proposals to these series, please contact firstname.lastname@example.org.