Comparative

Art and Thought: Histories of the Avant-Garde/Histoires des avant-gardes : art et pensée

Series Editors: Dawn Ades and Timothy Mathews

If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought is a new series that revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, with an emphasis on aesthetic interaction between literature, visual art, film and music, including the livre d’artiste. The series is intended to showcase the work of new as well as established scholars, whether monographs, single- or multi-authored collections of essays, or new editions of salient or neglected works, in English or in French. Works on translation as well as in translation will be considered. For further information, contact the series editors, Dawn Ades and Timothy Mathews, or send an email to oxford@peterlang.com.

Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Histoires des avant-gardes : art et pensée se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles des objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais critiques, des volumes collectifs, et des éditions nouvelles d’œuvres qui gagnent à être connues ou qui appellent un regard neuf. Les travaux sur la traduction seront vivement accueillis. Pour tout renseignement supplémentaire, prière de s’adresser aux directeurs de la collection, Dawn Ades et Timothy Mathews, ou d’envoyer un mail à oxford@peterlang.com.

 

European Connections

Series Editor: Peter Collier

European Connections is a new series which aims to publish studies in Comparative Literature. Most scholars would agree that no literary work or genre can fruitfully be studied in isolation from its context (whether formal or cultural). Nearly all literary works and genres arise in response to or at least in awareness of previous and contemporary writing, and are often illuminated by confrontation with neighbouring or contrasting works. The literature of Europe, in particular, is extraordinarily rich in this kind of cross-cultural fertilisation (one thinks of Medieval drama, Romantic poetry, or the Realist novel, for instance). On a wider stage, the major currents of European philosophy and art have affected the different national literatures in varying and fascinating ways.

The masters of this comparative approach in our century have been thematic critics like F.R.Leavis, George Steiner, and Jean-Pierre Richard, or formalist critics like I.A. Richards, Northrop Frye, Gérard Genette and Tzvetan Todorov, but much of the writing about literature which we know under specific theoretical labels such as feminist (Julia Kristeva, Judith Butler), marxist (Georg Lukacs, Raymond Williams) or psychoanalytical criticism (Charles Mauron, Jacques Lacan), for instance, also depends by definition on taking literary works from allegedly different national, generic or stylistic traditions and subjecting them to a new, comparative grid. The connections of European with non-European writing, are also at issue – one only has to think of the impact of Indian mythology on Salman Rushdie or the cross-fertilisation at work between a Spanish writer like Juan Goytisolo and the Latin American genre of Magical Realism. Although the series is fundamentally a collection of works dealing with literature, it intends to be open to interdisciplinary aspects, wherever music, art, history, philosophy, politics, or even cinema come to affect the interplay between literary works.

Many European and North American University courses in literature nowadays teach and research literature in faculties of Comparative and General Literature. The series intends to tap the rich vein of such research. Initial volumes will look at the ways in which writers like Thackeray and Trollope draw on French writing and history, the structure and strategies of Faulkner’s fiction in the light of Proust and Joyce, and George Mackay Brown’s interest in Hopkins and Mann. Offers of contribution are welcome, whether studies of specific writers and relationships, or wider theoretical investigations. Proposals from established scholars, as well as more recent doctoral students, are welcome. In the major European languages, the series will publish works, as far as possible, in the original language of the author.

Exile Studies

Series Editor: Franziska Meyer

Exile Studies is a series of monographs and edited collections that takes a broad view of exile, including the work and life of refugees of the Nazi period, and beyond. The series explores the different global and cultural spaces of exile as well as the specific historical, political and social concerns of exilic writers and artists. Of particular interest is scholarship that engages with recent theoretical approaches to exile to shed new light on the unique conditions of mass expulsion by Nazi persecution. A plurality of theoretical approaches is encouraged, featuring research that reaches beyond national frameworks or disciplinary boundaries and takes multi-directional, transcultural or comparative approaches. Themes include exclusion and delocalization, legacies of displacement and acculturation, migrating identities of the exile, the mutual impact of cultures, and the historical and political meanings of ‘home’ and ‘homecoming’.
The series promotes dialogue among transnational, Jewish and memory studies, and among diaspora, Holocaust and postcolonial studies. It invites research that acknowledges questions of gender, race, class and ethnicity as indispensable tools for understanding the cultural processes that reflect on mass expulsions in the century of the refugee.

New Comparative Criticism

Series Editor: Florian Mussgnug

New Comparative Criticism is dedicated to innovative research in literary and cultural studies. It invites contributions with a comparative, cross-cultural, and interdisciplinary focus, including comparative studies of themes, genres, and periods, and research in the following fields: literary and cultural theory; material and visual cultures; reception studies; cultural history; comparative gender studies and performance studies; diasporas and migration studies; transmediality. The series is especially interested in research that articulates and examines new developments in comparative literature, in the English-speaking world and beyond. It seeks to advance methodological reflection on comparative literature, and aims to encourage critical dialogue between scholars of comparative literature at an international level.

Studies in Contemporary Women’s Writing

Series Editor: Gill Rye

This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Germanic & Romance Studies, University of London, by publishing high-quality critical studies of contemporary literature by women. The main focus of the series is literatures written in the languages covered by the Centre – French, German, Italian, Portuguese and the Hispanic languages – but studies of women’s writing in English and other languages are also welcome. ‘Contemporary’ includes literature published after 1968, with a preference for studies of post-1990 texts in any literary genre.

Studies in Contemporary Women’s Writing provides a forum for innovative research that explores new trends and issues, showcasing work that makes a stimulating case for studies of new or hitherto neglected authors and texts as well as established authors. Connections are encouraged between literature and the social and political contexts in which it is created and those which have an impact on women’s lives and experiences. The goal of the series is to facilitate stimulating comparisons across authors and texts, theories and aesthetics, and cultural and geographical contexts, in this rich field of study.

Proposals are invited for either monographs or edited volumes. The series welcomes single-author studies, thematic analyses and cross-cultural discussions as well as a variety of approaches and theoretical frameworks. Manuscripts should be written in English.

 

For information about submitting proposals to these series, please contact oxford@peterlang.com.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: