Series Editors: Gerhard Schulz (University of Melbourne) and Tim Mehigan (University of Queensland)
The series publishes scholarly works in the field of German Studies. It is aimed at profiling scholarship that has been produced in Australia and New Zealand. The series accepts submissions in German or English across the full spectrum of scholarship, ranging from doctoral dissertations and monographs to anthologies and collected essays.
Series Editor: Robert Vilain
Studies in Modern German and Austrian Literature is a broadly conceived series that aims to publish significant research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art. It includes monographs on single authors or works, focused historical periods, and studies of experimentation with form and genre. Wider ranging explorations of literary, cultural or socio-political phenomena in the German-speaking lands or among writers in exile and analyses of national, ethnic and cultural identities in literature are also welcome topics.
Proposals are invited for monographs, high-quality doctoral dissertations revised for book publication, focused collections of essays (including selectively edited conference proceedings), annotated editions and bibliographies. Senior figures in the academic profession as well as early career or independent scholars are encouraged to submit proposals. All proposals and manuscripts will be peer reviewed. We publish in both German and English. This series is a successor to Studies in Modern German Literature, edited by Peter D.G. Brown.
Series Editor: Helen Watanabe-O’Kelly
Women in German Literature is a series of monographs and rigorously edited essay collections focusing on the work of women writers and the representation of women in literature from the Middle Ages to the present day. The series contributes to efforts to broaden the German canon by publishing pioneering studies of work by women as well as cutting-edge assessments of relatively well-known women writers. This includes studies of the participation of women in German intellectual life and in the struggle for rights. The other major concern of the series is the representation of women in literature and media. Studies on this topic offer fresh perspectives on canonical texts and writers and analyse existing tropes that are often still dominant in German cultural life today.
Contemporary German Writers and Filmmakers aims to reflect the continuing and dynamic developments in German culture since the reunification of Germany in 1990. The fall of communism, the forging of the new Berlin Republic and increasing ethnic diversity have coincided with growing international acclaim for writers of German (such as Nobel Laureates Günter Grass, Elfriede Jelinek and Herta Müller) and renewed interest in German cinema (such as award-winning film Das Leben der Anderen / The Lives of Others).Each volume is devoted to the work of a contemporary German-speaking novelist, poet, playwright or filmmaker, containing an interview with its subject and, in the case of writers, an original piece of previously unpublished writing presented in parallel English translation. The other chapters on key aspects of the emerging oeuvre and its international significance are by scholars in the field. As the volumes are intended for readers with little or no knowledge of German, all quotations are translated into English. The volumes are designed as a resource for specialists and students alike and to stimulate debate within and beyond the academy.Proposals for new volumes on significant contemporary practitioners in the literary and cinematic fields are welcomed. The language of the series is English.
Series Editors: Deborah Ascher Barnstone and Thomas O. Haakenson
German Visual Culture offers an innovative approach to German Studies within the diverse and growing field of Visual Culture. The series invites scholarship by artists, designers, academics and curators across all media forms and time periods. It engages with traditional art historical methods as well as inventive interdisciplinary ones, recognizing the scholarly merits of both. Of particular interest are provocative perspectives on archival materials, original scholarship on emerging and established visual forms, and new readings of history through the lens of visual culture. The series offers a much-needed venue for expanding how we engage with the field of Visual Culture in general.
The series is the publishing project of the Visual Culture Network (VCN) for the German Studies Association in the United States. Proposals for revised dissertations, monographs and edited volumes from a wide range of comparative, theoretical and methodological perspectives are welcome. Prospective authors are encouraged to submit proposals on any aspect of German Visual Culture, including projects that address such themes as new media, intermediality, gender, identity, memory, nostalgia, spectacle, trauma, the double, East/West, dissent and fetishism. We publish in both English and German.
Series Editor: Franziska Meyer
Exile Studies is a series of monographs and edited collections that takes a broad view of exile, including the work and life of refugees of the Nazi period, and beyond. The series explores the different global and cultural spaces of exile as well as the specific historical, political and social concerns of exilic writers and artists. Of particular interest is scholarship that engages with recent theoretical approaches to exile to shed new light on the unique conditions of mass expulsion by Nazi persecution. A plurality of theoretical approaches is encouraged, featuring research that reaches beyond national frameworks or disciplinary boundaries and takes multi-directional, transcultural or comparative approaches. Themes include exclusion and delocalization, legacies of displacement and acculturation, migrating identities of the exile, the mutual impact of cultures, and the historical and political meanings of ‘home’ and ‘homecoming’.
The series promotes dialogue among transnational, Jewish and memory studies, and among diaspora, Holocaust and postcolonial studies. It invites research that acknowledges questions of gender, race, class and ethnicity as indispensable tools for understanding the cultural processes that reflect on mass expulsions in the century of the refugee.
Series Editors: Theo Harden and Júlio Cesar Neves Monteiro
Estudos Germânicos is the publishing project of the Núcleo de Estudos Germânicos at the Universidade de Brasília, which promotes awareness of Germanic Studies in Brazil and throughout the world. The book series provides a forum for Brazilian and Portuguese-language scholarship on Germanic languages, literatures and cultures. A broader understanding of Germanic is encouraged, including research not only on German and Austrian but also on Dutch, Swedish, Norwegian, Danish and Afrikaans. The series is not limited to any particular field within literary studies, linguistics or translation studies and invites scholarship from the fields of anthropology, sociology, music, film studies and philosophy. An area of particular emphasis is the analysis of translations of all types of texts (literary, philosophical, sociological, etc.) both from and into the languages in question and their impact and distribution in the respective target cultures. This focal interest also implies that translations of scholarly works will be considered for publication.
The primary language of the series is Portuguese, but publications in other languages will be considered. Proposals for both monographs and edited collections are welcome.
Series Editors: Hans S. Reiss and W. Edgar Yates
This long-established series aims to publish works of serious scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland, and readably written. Over fifty volumes have been published since 1974. They include new books both by distinguished senior scholars and by younger researchers, collected essays either by single authors or by several hands (these have included papers emerging from conferences, often in both English and German) and selected doctoral dissertations reworked in book form. The weight of the series has mainly fallen on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension.
This series is no longer accepting new proposals.
Series Editor: Jost Hermand
German Life and Civilization provides contributions to a critical understanding of Central European cultural history from medieval times to the present. Culture is here defined in the broadest sense, comprising expressions of high culture in such areas as literature, music, pictorial arts, and intellectual trends as well as political and sociohistorical developments and the texture of everyday life. Both the cultural mainstream and oppositional or minority viewpoints lie within the purview of the series. While it is based on specialized investigations of particular topics, the series aims to foster progressive scholarship that aspires to a synthetic view of culture by crossing traditional disciplinary boundaries.
Series Editor: Peter Rolf Lutzeier
At a time when German Studies faces a serious challenge to its identity and
position in the European and international context, this new series aims to
ref lect the increasing importance of both culture (in the widest sense) and
linguistics to the study of German in Britain and Ireland.
GLCS will publish monographs and collections of essays of a high scholarly standard
which deal with German in its socio-cultural context, in multilingual and multicultural
settings, in its European and international context and with its use in the media. The
series will also explore the impact on German society of particular ideas, movements
and economic trends and will discuss curriculum provision and development in universities in the United Kingdom and the Republic of Ireland. Contributions in English or German will be welcome.
Series Editors: Frank Finlay and Julian Preece
The Leeds-Swansea Colloquia on Contemporary German Literature series is the successor to the Bradford Series of Colloquia on Contemporary German Literature. Like its precursor, the Leeds Series has as its focal point of departure a three-day, biennial colloquium devoted to a particular theme. The colloquia have been supported by a range of cultural institutions over the years including the Goethe Institut, enabling them to act as a forum for dialogue between Germanisten in the German-speaking world and established and aspiring scholars based in the UK, Ireland, the USA and Australia. It is of equal importance that a broad understanding of what constitutes literary writing is fostered. Thus while ‘canonical’ literary figures have always featured, there has been a commitment to new writing which has given rise to the first academic discussions in English of several significant contemporary writers.
The organising editors are Professor Julian Preece (University of Wales, Swansea) and Professor Frank Finlay (University of Leeds) who work in tandem with an international Advisory Board.
Series Editor: Ian Wallace
This series focuses on the life and work of the internationally celebrated German writer Lion Feuchtwanger (1884–1958). Of particular interest are topics such as Feuchtwanger’s role as a critic of Weimar Germany and the rise of Nazism, his years of exile in France (1933–40) and in the USA (1940–58), his achievements as a proponent of the historical novel, and his reception both in post-war Germany and in the wider world. Besides offering fresh analyses of major novels such as Jud Süss, Erfolg, and Goya and the often controversial films which some of them inspired, the series presents Feuchtwanger in the context of his times, paying special attention to his years in Southern California and his relationships with other leading cultural figures of the era such as Bertolt Brecht, Charles Chaplin, Thomas Mann, and Arnold Zweig.
Volumes in the series include selections of refereed papers from the biennial conferences of the International Feuchtwanger Society as well as specially commissioned monographs.
Series Editor: Irmengard Rauch
For information about submitting proposals to these series, please contact Dr Laurel Plapp, Senior Commissioning Editor, at firstname.lastname@example.org or email@example.com.