Race and Resistance Across Borders in the Long Twentieth Century
Series Editors: Tessa Roynon, Elleke Boehmer, Victoria Collis-Buthelezi, Patricia Daley, Aaron Kamugisha, Minkah Makalani, Hélène Neveu Kringelbach and Stephen Tuck
This series focuses on the history and culture of activists, artists and intellectuals who worked within and against racially oppressive hierarchies in the first half of the twentieth century, and who then sought to define and achieve full equality once those formal hierarchies had been overturned. It explores the ways in which such individuals – writers, scholars, campaigners and organizers, ministers, and artists and performers of all kinds – located their resistance within a global context and forged connections with each other across national, linguistic, regional and imperial borders.
Disseminating the latest interdisciplinary scholarship on the history, literature and culture of anti-racist movements in Africa, the Caribbean, the United States, Europe, Asia and Latin America, the series foregrounds, through a cross-disciplinary approach, the transnational and intercultural nature of these resistance movements. The series embraces a range of themes, including but not limited to antislavery,
intellectual and literary networks, emigration and immigration, anti-imperialism, church-based and religious movements, civil rights, citizenship and identity, Black Power, resistance strategies, women’s movements, cultural transfer, white supremacy and anti-immigration, hip hop and global justice movements.
The series is affiliated with the Race and Resistance Research Network at the University of Oxford. Proposals are invited for sole- and joint-authored monographs as well as edited collections.
Series Editors: Paul Ward and Richard Finlay
The historiography of British identities has flourished since the mid-1970s, spurred an by increasing national consciousness in England, Scotland, Wales and Northern Ireland, and since 1997 by devolution. Historians and other academics have become increasingly aware that identities in the British Isles have been fluid and that interactions between the different parts of the British Isles have been central to historical developments since, and indeed before, the Act of Union between England and Scotland in 1707.
This series seeks to encourage exploration of identities of place in the British Isles since the early eighteenth century, including intersections between competing and complementary identities such as region and nation. The series also advances discussion of other identities such as class, gender, religion, politics, ethnicity and culture when these are geographically located and positioned. While the series is historical, it welcomes cross- and interdisciplinary approaches to the study of British identities.
British Identities since 1707 examines the unity and diversity of the British Isles, developing consideration of the multiplicity of negotiations that have taken place in such a multinational and multi-ethnic group of Islands. lt will include discussions of nationalism(s), of Britishness, Englishness, Scattishness, Welshness and Irishness, as well as ‘regional’ identities including, for example, those associated with Cornwall, the Gäidhealtachd region in Scotland and Gaeltacht areas in Ireland. The series will encompass discussions of relations with continental Europe and the United States, with ethnic and immigrant identities and with other forms of identity associated with the British Isles as place. The editors are interested in publishing books relating to the wider British world, including current and former parts of the British Empire and the Commonwealth, and places such as Gibraltar and the Falkland Islands and the smaller islands of the British archipelago. British Identities since 1707 reinforces the consideration of history, culture and politics as richly diverse across and within the borders of the British Isles.
Series Editor: Sarah Alyn Stacey
Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court.
Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures.
Each proposal will be vetted by the specialists on the series editorial board and will undergo a comprehensive peer-review process.
Series Editor: Valentina Bold
This series presents a new reading of Scottish culture, establishing how Scots, and non-Scots, experience this newly devolved nation. Within the context of a rapidly changing United Kingdom and Europe, Scotland is engaged in an ongoing process of self-definition. The series will deal with this process as well as with cultural phenomena, from debates about the relative value of Gaelic-based, Scots and Anglicised culture, to period-specific definitions of Scottish identity. Orally transmitted culture – from traditional narratives to songs, customs, beliefs and material culture – will be a key consideration, along with the reconstruction of historical periods in cultural texts (visual and musical as well as historical). Taken as a whole, the series will go some way towards achieving a new understanding of a country with potential for development into parallel treatments of locally based cultural phenomena. The series welcomes monographs as well as collected papers.
Series Editor: Richard Bonney
This series addresses a new need. The constitution of many contemporary communities is radically diverse, and the need is to think anew about them. Through a mixture of edited collections and single-authored volumes, the series aims both to examine how radical diversity has arisen in the religious and political constitution of society and to analyse the implications for the future so as to help ensure the harmonious relations between communities and the best practice of government. Studies in the History of Religious and Political Pluralism will evaluate new trends and theories and make available the findings of empirical research which demonstrates the nature of the pluralistic world in which we live.
Series Editors: Richard Holt and Matthew Taylor
This series publishes monographs, edited collections and reprints of classic studies on the history and the contemporary role of sport, primarily in Britain and Europe but including other parts of the world. The editors wish to make available the very best of recent doctoral and post-doctoral work in the subject area whilst also looking to established scholars for major new books or collections of articles.
Although the focus of the series is historical, it also embraces more contemporary interdisciplinary studies of the role of sport as a local, national and global phenomenon. The series includes both new and established areas of research into the class, age and gender dimensions of sport as well as its political and ideological aspects, including nationalism, imperialism and post-colonialism. The editors wish to encourage economic and transnational studies of sport as well as new work on ethnicity, sports literature and material culture. The series will also reflect on the significance for the writing of sports history of new cultural and theoretical debates.
Genuinely international in approach, the series also seeks to publish English translations of some of the most outstanding scholarship on the history and culture of sport in Europe, South America and beyond. The series aims to act as a focus for the historical study of sport internationally and facilitate interdisciplinary debate on the subject.
Series Editor: Craig Phelan
This series publishes monographs and edited collections on the history, present condition and possible future role of organised labour around the world. Multidisciplinary in approach, geographically and chronologically diverse, this series is dedicated to the study of trade unionism and the undeniably significant role it has played in modern society. Topics include the historical development of organised labour in a variety of national and regional settings; the political, economic and legal contexts in which trade unionism functions; trade union internationalism past and present; comparative and cross-border studies; trade unions’ role in promoting economic equality and social justice; and trade union revitalisation and future prospects. The aims of the series are to promote an appreciation of the diversity of trade union experience worldwide and to provide an international forum for lively debate on all aspects of the subject.
Series Editors: Andrew Louth and David Ricks
This series encompasses the religion, culture, history, and literary production of the Greek-speaking world and its neighbours from the fourth century AD to the present. It aims to provide a forum for original scholarly work in any of these fields, covering cultures as diverse as Late Antiquity, the Byzantine empire, the Venetian empire, the Christian communities under Ottoman rule, and the modern nation states of Greece and Cyprus. Submissions in English are welcomed in the form of monographs, annotated editions, or collections of papers.
For information about submitting proposals to these series, please contact firstname.lastname@example.org.