French

Modern French Identities

Series Editor: Peter Collier

This series aims to publish monographs, editions or collections of papers based on recent research into modern French Literature. It welcomes contributions from academics, researchers and writers in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide and Apollinaire to Kristeva, Barthes, Duras, Germain and Roubaud. This series reflects a concern to explore the turn-of-the century turmoil in ideas and values that is expressed in the works of theorists like Lacan, Irigaray and Bourdieu and to follow through the impact of current ideologies such as feminism and postmodernism on the literary and cultural interpretation and presentation of the self, whether in terms of psychoanalytic theory, gender, autobiography, cinema, fiction and poetry, or in newer forms like performance art. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects, including those where art and cinema intersect with literature.

Editorial Board
Contemporary Literature and Thought: Martin Crowley (University of Cambridge)
Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge)
Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling)
Language and Linguistics: Michaël Abecassis (University of Oxford)
Literature and Art: Peter Collier (University of Cambridge)
Poetry: Nina Parish (University of Bath) and Emma Wagstaff (University of Birmingham)

 

Romanticism and after in France / Le romantisme et après en France

Series Editor: Patrick McGuinness

Romanticism and after in France is a series designed to publish monographs or longer works of high quality originating in universities in the United Kingdom and Ireland, whether by established scholars or recent graduates, dealing with French literature in the period from pre-Romanticism to the turn of the twentieth century. Books may be in English or French, and may consist of studies of single authors or of wider topics.

 

French Studies of the Eighteenth and Nineteenth Centuries

Series Editors: Robin Howells and Fiona Cox

This series publishes the latest research by teachers and researchers working in all the disciplines which constitute French studies in this period, in the form of monographs, revised dissertations, collected papers and conference proceedings. Adhering to the highest academic standards, it provides a vehicle for established scholars with specialised research projects but also encourages younger academics who may be publishing for the first time. The Editors take a broad view of French studies and intend to examine literary and cultural phenomena of the eighteenth and nineteenth centuries, excluding the Romantic movement, against their historical, political and social background in all the French-speaking countries.

 

Medieval and Early Modern French Studies

Series Editor: Noël Peacock

Striking and stimulating contributions continue to be made to French studies and cultural studies of the medieval and early modern periods. This series aims to publish work of the highest quality in these areas. The series will include monographs and collaborative or collected works from both established and younger scholars, and will encompass a wide range of disciplines and theoretical approaches. Contributions will be welcomed in French or English.

Art and Thought: Histories of the Avant-Garde/Histoires des avant-gardes : art et pensée

Series Editors: Dawn Ades and Timothy Mathews

If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. For further information, contact the series editors, Dawn Ades and Timothy Mathews, or send an email to oxford@peterlang.com.

Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Histoires des avant-gardes : art et pensée se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles des objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis. Pour tout renseignement supplémentaire, prière de s’adresser aux directeurs de la collection, Dawn Ades et Timothy Mathews, ou d’envoyer un mail à oxford@peterlang.com.

 

For information about submitting proposals to these series, please contact oxford@peterlang.com.

 

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