Hear My Song: Irish Theatre and Popular Song reviewed in the Irish Times

 

 

GreenwoodJoseph Greenwood’s new book Hear My Song: Irish Theatre and Popular Song in the 1950s and 1960s was reviewed in the Irish Times on Saturday 3 March, by Professor Victor Merriman of Edge Hill University. Please click here to read the review.

 

A major obstacle for the scholar of theatre is the ephemerality of a dramatic performance. How can we know the specifics of an event that has been and gone, an occurrence that can never be repeated? This book proposes that by considering the use of songs within a dramatic production we can gain a deeper understanding of past performances, especially with regard to their communal reception. Why did a playwright employ a certain song? How might it have affected an audience? Arguing that certain song types constitute forms of collective memory, the author explores Irish theatre from the 1950s and 1960s to show that songs are a valuable means by which we can gauge changes in the popular consciousness. By necessity, songs mutate so that they can continue to express and affirm collective memories and therefore fit the zeitgeist of their socio-cultural contexts.

Through its detailed research, this book demonstrates that retrospectively analysing the dramatic employment of well-known songs not only helps us better understand the performances and reception of a selection of Irish plays, but also challenges orthodox narratives of Éamon de Valera’s Ireland.

The book is available for purchase here.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: